ND Filter Glass ND64 6 Stops OD1.8 For Waterfall
An ND filter glass ND64 6 stops OD1.8 reduces the light entering the lens by roughly 98.5%, allowing for significant control over exposure parameters in most lighting conditions. This level of light reduction enables creative techniques that would otherwise be very challenging without an ND...
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Product Introduction
An ND filter glass ND64 6 stops OD1.8 reduces the light entering the lens by roughly 98.5%, allowing for significant control over exposure parameters in most lighting conditions. This level of light reduction enables creative techniques that would otherwise be very challenging without an ND filter. Some possibilities opened up by a 6-stop ND64 filter include ultra-shallow depth of field, panning fast action, balancing high contrast scenes, and cinematic video.
The ND64 neutral density filter delivers outstanding image quality and lasting performance and is made from high-quality tempered optical glass with a durable aluminum frame. Now nothing stops you from crafting long artistic exposures and ultra-shallow depths of field—even in the harshest conditions and brightest days. The ND64 neutral density filter provides the power to capture unique long exposures, dramatic shallow focus effects, and cinema-grade footage in nearly any lighting environment. Our premium 6-stop ND filters are essential gear for any serious photographer. Open up six stops and never look back!
Features
- Neutral density filter for NDF64
- Broad compatibility
- Extraordinary maintenance for the images’ sharpness and color accuracy
- High durability
- Multi-coating
- ISO9001, ROHS certified
Parameters
|
Product Name |
NDF64 |
|
Optical Density |
OD1.8 |
|
Stops Reduction |
Stops 6 |
|
Diameter |
77mm or custom |
|
Thickness |
1mm or custom |
|
Shape |
Round or Square |
|
Type |
Absorptive or Reflective |
|
Coating |
Multi-coating |
|
Tolerance |
±0.01-0.1mm |
|
Wavelength Range: |
200-1200nm |
Spectrum transmission curve
Applications -- Waterfall
An ND64 6-stop neutral density filter enables creative techniques for waterfall photography that would otherwise be unattainable during the day. By reducing light transmission up to 98.5%, the ND64 allows shutter speeds slow enough to capture silky smooth motion in falling water. Exposures of 3-5 seconds or longer render flowing lines into a soft, misty blur while preserving details in stationary foreground rocks and foliage. Wide-angle lenses exaggerate this effect. Stacking multiple ND64 filters for a 12-stop reduction allows even longer 30-second exposures for an ultra-smooth, surreal quality. A low ISO, small aperture, and proper white balance adjustment complete the ideal setting.
How many stops do neutral density filters have? What are the filter numbers, and what are their differences?
Neutral density filters come in various densities to suit different lighting conditions and creative needs. The density of an ND filter is measured in stops, which refer to the amount of light the filter reduces. The higher the number of stops, the darker the ND filter glass ND64 6 stops OD1.8.
Ordinary neutral density filters include:
|
Filter Type |
Stops |
Light Reduction |
Usage Scenarios |
|
ND2 |
1 stop |
50% |
Allows modest slowing of shutter speed. Used in slightly bright conditions. |
|
ND4 |
2 stops |
75% |
Allows some control over depth of field in average daylight. Useful for slight motion blur effects. |
|
ND8 |
3 stops |
87.5% |
Allows reasonably slow shutter speeds and wide apertures on a sunny day. Enables slight motion blur and subject isolation. |
|
ND16 |
4 stops |
93.75% |
Significantly slows shutter speed in bright conditions. Allows subject isolation and panning effects. |
|
ND32 |
5 stops |
96.875% |
Slows shutter speed substantially in daylight. Enables a broad range of long exposure and shallow depth of field effects. |
|
ND64 |
6 stops |
98.5% |
Dramatic reduction is suitable for the brightest conditions. Produces strongest long exposure and shallow depth of field effects in harsh lighting. |
|
ND1000 |
10 stops |
99.9% |
The maximum density for the most extreme long exposure times in the brightest direct sunlight. Requires very long exposures for a strong effect. |
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